Feature

Former staffers say a new owner dealt the respected publication a death blow when service members and veterans needed it most.

A group of veteran journalists cover “the backdrop for national politics and rhetoric.” 

While major news outlets obsessed over the anticipated release of the Epstein files, Trump-friendly news influencers celebrated how far they’ve come.

ENTR, a European Union–funded media project, brings together Gen Z journalists to produce social-media-first news.

Condé Nast folded a beloved magazine that treated youth and feminism as political topics, not trends.

A nostalgia trip down County Highway.

A new generation of journalists emerges from the rainforest, just in time for COP30.

Signal Hill, a new audio magazine, embraces the weird.

“The rest of the world is tuning in,” he said, of moderating a mayoral debate. “But in the end, it’s not that different from when I used to do city council debates in a church basement.”

A guide for taking immigration stories beyond walls both physical and mental.

The dispute over plans for MediaFest, the nation’s largest conference of student journalists, reflects the polarization of the news industry that awaits them.

Against the precipitous backdrop of funding cuts to public media, low-power radio emerges as a lesser-known source of inspiration.

International media outlets have been banned from Gaza, save for tightly controlled embeds. Local reporters have been threatened and killed. But as the world awaits peace, the Israeli government has invited some content creators to come in and spread its message.

Aaron Parnas, a twenty-six-year-old with a larger TikTok audience than some mainstream outlets and the most popular “news” Substack, is making his own journalism rules—and taking dark money.

“Who would have thought this is the piece that would get me fired?” Bill Owens, the former executive producer of 60 Minutes, said in the screening room. For the past year, CBS journalists have been up against extraordinary pressure.